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Simply follow the link provided above and you can directly download ableton live 9 lite manual pdf tutorial and save it to your computer or else you can also read online through our library. Simply follow the link provided above and you can directly download ableton live 9 lite manual pdf chapter and save it to your computer or else you can also read online through our library. Simply follow the link provided above and you can directly download ableton live 9 lite manual pdf edition and save it to your computer or else you can also read online through our library.
Simply follow the link provided above and you can directly download ableton live 9 lite manual pdf instruction and save it to your computer or else you can also read online through our library. Ableton assumes no responsibility or liability for any errors or inaccuracies that may appear in this book.
Except as permitted by such license, no part of this publication may be reproduced, edited, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Ableton. Hovering near the envelope or holding the [Shift] modifier while clicking on an envelope segment a portion of the envelope between breakpoints now selects the entire segment.
Clip Envelopes in Linked mode will now respond to changes in the clips Warp Markers page It is now possible to create convex and concave curves in all breakpoint envelopes in both the Arrangement timeline and in clips. A new set of transform tools page allows for fast manipulation of a MIDI clips contents. Transpose, reverse, invert, or apply legato in a single click.
MIDI notes can now be moved and resized freely without a modifier, even while off the grid is active. It is also possible to adjust note lengths while in Draw Mode page Holding [B] while editing with the mouse toggles Draw Mode temporarily.
The currently selected tracks, devices, notes or clips can be activated or deactivated with the [0] key. If the loop brace is selected, pressing [Enter] will switch the selection to the time within the loop brace. Lives new browser page 53 features a two-pane view that shows all of Lives devices and Packs clearly separated. A search field in the browser filters results as you type. You can navigate between the search field and the filtered entries using your computer keyboards arrow keys.
The browsers Preview Tab now previews Lives instrument presets, by playing a short example sound when presets are selected. Three new commands page allow you to extract the musical information from audio clips and place it into MIDI clips on new tracks: Convert Harmony to MIDI extracts the notes from polyphonic audio and is designed for reimagining samples or loops.
The new MIDI track will contain a Drum Rack with the kick, snare, and hihat notes from the original audio playing the appropriate instruments.
The Consolidate Time to New Scene command consolidates the material within the selected time range in the Arrangement View to one new clip per track. The new clips are placed into a new Session View scene below the previously selected scene. Tuner page analyzes and displays the incoming monophonic pitch as well as its distance from the nearest semitone.
EQ Eight page now has improved filters, a detachable display that shows the frequency spectrum of the output signal and allows multiple filter dots to be adjusted simultaneously, optional Adaptive Q and Audition modes, and a number of other improvements. Compressor page now has an Auto Release mode, which automatically adjusts the release time based on the incoming audio.
The Ratio can be set below , for upward expansion. The shape of the envelope follower can be switched between linear and logarithmic. Finally, a new display shows input and output levels, making it easier to adjust parameters. Lives Gate effect page now responds more accurately.
There is also a new Return control also known as hysteresis to help reduce chatter when the level changes quickly near the threshold, as well as a sidechain EQ. The Multiband Dynamics device page now has a sidechain circuit, allowing it to be triggered based on the level of another signal.
Additionally, an improved export dialog groups related controls together, making it easier to see and adjust your export settings. Live comes with a set of interactive lessons to take you step by step through the key features of the program. The lessons are organized in a table of contents, which can be opened directly in the program via the Help menu.
We highly recommend following the lessons. Many users have told us that the lessons helped them become familiar with the program very quickly. We also recommend that you read the Live Concepts chapter page 35 , which encapsulates everything that Live is and can do, and is therefore a worthwhile read for both beginners and experienced users. The remaining chapters of this manual serve as in-depth reference for the material introduced in Live Concepts.
Lives Info View tells you the name and function of whatever you place the mouse over. For certain items, you can create your own text and it will appear in this window.
If you require more information on a specific user interface element or topic, please consult this reference manual. The index, found at the end of the manual, contains the names of all user interface elements and will lead you to the relevant section. Lives Preferences window is where you can find various settings that determine how Live looks, behaves and interfaces with the outside world. This window is accessed from the Preferences command, which in Windows is available in the Options menu and in OS X is available in the Live menu.
The Audio Preferences are used to set up Lives audio connections with the outside world via an audio interface. To access the lesson, use the Help View command from the Help menu. Controlling parts of the interface remotely. Syncing the program with an external sequencer or drum machine, either as a master or a slave. Note: Sync is not available in Live Lite.
The Library Preferences allow you to specify a default location for various types of installed files, including Packs and your User Library, as well as whether or not samples and other files are self-contained when saving Sets page Most of your work in Live happens in the main Live screen. This screen consists of a number of views, and each view manages a specific aspect of your Live Set, which is the type of document.
If you have multiple monitors or even one very large monitor , you can open a second window to display all of Lives views at the same time. Each one of the selector buttons at the screen borders calls up a specific view; clicking this one, for instance, opens and closes Lives browser:. The Browser Selector. On Windows and versions of OS X prior to When using OS X version You can turn Full Screen Mode on by clicking the arrows in the top right corner.
You can turn Full Screen Mode off by clicking the arrows on the right side of the menu bar. If Lives browser is open, you can adjust the main windows horizontal split by dragging. Authorizing Live Live is protected against illegal use by a copy protection scheme. This scheme has been designed to meet the highest security standards while avoiding hassles for our customers. If you find this procedure to be an inconvenience, please understand that the copy protection secures your investment: It allows Ableton to provide you with support and to continue developing Live.
Please be aware that the standard Live license grants you the right to use Live on only one computer at a time. You can, however, authorize Live more than once under the legal and technical conditions described later page The first time you run Live, you will be prompted to complete the authorization process.
The software will walk you through the steps. If the computer that you wish to authorize is connected to the internet, you can authorize immediately by pressing the appropriate button in the dialog box. If you do not have an internet connection, press the No internet on this computer button and follow the instructions.
If you do not yet own Live or its add-on products, you can still try them out, but saving and exporting will be disabled. If trying Live or another product raises your interest in purchasing it, please visit the Ableton webshop2. This site contains information about Abletons distributor and dealer network. It also offers you the opportunity to buy Ableton products online. If you change your computer components for some reason, Live may indeed ask you to authorize the software another time.
Live does not need to be reauthorized when computer peripherals are replaced audio or MIDI hardware, printers, modems. But you may need to authorize again if the motherboard, processor or network card is replaced. On some computers, reformatting a hard drive will require a new authorization. The standard Live license allows you to use Live on only one computer at a time.
However, the Ableton server will provide you with two authorizations in good faith that you will use Live on only one machine at a time. You can therefore run Live on both a studio desktop computer and a tour laptop, but not at the same time. Should the Ableton server reject your demand for another authorization, please contact Abletons technical support3.
To use Live on more than one computer at a time, you may require a secondary license or a site license. Ableton offers these licenses at special rates. Even if Live is not authorized, you can still load and perform a Live Set with no time limitation. You cannot, however, save or export your work. In case of an emergency, you can install and run Live on any computer available and play your backup Live Set s. Please visit Abletons technical support page. Live Concepts This chapter introduces the essential concepts of Live.
We advise you to read this chapter early in your Live career, as a solid understanding of the programs basic principles will help you fully exploit Lives potential for your music-making. Lives browser page 53 is the place where you interact with your library of musical assets: the core library of sounds that are installed with the program, any additional sounds youve installed via Ableton Packs, presets and samples youve saved, your Ableton and third-party devices, and any folders that youve added manually.
The type of document that you create and work on in Live is called a Live Set page Live Sets reside in a Live Project a folder that collects related materials and can be opened either through the File menus Open command or via Lives browser.
The basic musical building blocks of Live are called clips. A clip is a piece of musical material: a melody, a drum pattern, a bassline or a complete song. Live allows you to record and alter clips, and to create larger musical structures from them: songs, scores, remixes, DJ sets or stage shows. A Live Set consists of two environments that can hold clips: The Arrangement is a layout of clips along a musical timeline; the Session is a real-time-oriented launching base for clips.
Every Session clip has its own play button that allows launching the clip at any time and in any order. Each clips behavior upon launch can be precisely specified through a number of settings page If youre using Live in a single window, you can toggle between the.
If youre using two windows, pressing [Tab] will swap the Session and Arrangement from one window to the other. Because the two views have distinct applications, they each hold individual collections of clips. However, it is important to understand that toggling or swapping the views simply changes the appearance of the Live Set and does not switch modes, alter what you hear or change what is stored. The Arrangement and Session View Selectors.
The Arrangement View and the Session View interact in useful ways. One can, for instance, improvise with Session clips and record a log of the improvisation page into the Arrangement for further refinement. This works because Arrangement and Session are connected via tracks. Tracks host clips and also manage the flow of signals, as well as the creation of new clips through recording, sound synthesis, effects processing and mixing. A Track in the Arrangement View.
The Session and Arrangement share the same set of tracks. In the Session View, the tracks are laid out in columns, while in the Arrangement View they are stacked vertically, with time moving from left to right. A simple rule governs the cohabitation of clips in a track:. A track can only play one clip at a time. Therefore, one usually puts clips that should play alternatively in the same Session View column, and spreads out clips that should play together across tracks in rows, or what we call scenes page A Scene in the Session View.
At any one time, a track can be playing either a Session clip or an Arrangement clip, but never both. So, who wins? When a Session clip is launched, the respective track stops whatever it is doing to play that clip. In particular, if the track was playing an Arrangement clip, it will stop it in favor of the Session clip even as the other tracks continue to play what is in the Arrangement.
The track will not resume Arrangement playback until explicitly told to do so. This is what the Back to Arrangement button is for, which is found in the Master Track in the Session View and at the top-right of the scrub area in the Arrangement View. This button lights up to indicate that one or more tracks are currently not playing the Arrangement, but are playing a clip from the Session instead.
We can click this button to make all tracks go back to playing the Arrangement. Each track in the Arrangement View also has its own Back to Arrangement button, allowing you to resume Arrangement playback of only certain tracks. We can also capture the current state into the Arrangement by activating the Arrangement Record button.
Disengaging Record Mode or stopping Live using the Stop button leaves us with an altered Arrangement. Clips represent recorded signals. Live deals with two types of signals: audio and MIDI. In the digital world, an audio signal is a series of numbers that approximates a continuous signal as generated by a microphone or delivered to a loudspeaker. MIDI is a symbolic representation of musical material, one that is closer to a written score than to an audio recording.
It takes an instrument page to convert MIDI signals into audio signals that can actually be heard. Some instruments, such as Lives Simpler page , are for chromatic playing of one sound via the keyboard.
Other instruments, such as Lives Impulse page , have a different percussion sound assigned to each keyboard key. The two track types have their own corresponding clip types. Audio clips cannot live on MIDI tracks and vice versa. Information about inserting, reordering and deleting audio and MIDI tracks is found here page An audio clip contains a reference to a sample also known as a sound file or audio file or a compressed sample such as an MP3 file.
The clip tells Live where on the computers drives to find the sample, what part of the sample to play and how to play it. When a sample is dragged in from Lives built-in browser, Live automatically creates a clip to play that sample. Prior to dragging in a sample, one can audition or preview it directly in the browser; the switch in the browser with the headphone icon activates previewing.
Samples Are Dragged in from Lives Browser. Live offers many options for playing samples in exciting new ways, allowing you to create an abundance of new sounds without actually changing the original sample all the changes are computed in real time, while the sample is played.
The respective settings are made in the Clip View page , which appears on screen when a clip is double-clicked. Many powerful manipulations arise from Lives warping capabilities page Warping means changing the speed of sample playback independently from the pitch so as to match the song tempo.
The tempo can be adjusted on the fly in the Control Bars Tempo field. The Control Bars Tempo Field. The most elementary use of this technique, and one that usually requires no manual setup, is synchronizing sample loops to the chosen tempo.
Lives Auto-Warp algorithm actually makes it easy to line up any sample with the song tempo, such as a recording of a drunken jazz bands. It is also possible to radically change the sonic signature of a sound using extreme warp settings.
As youd expect, a MIDI clips contents can be accessed and edited page via the Clip View, for instance to change a melody or paint a drum pattern. A track can have not only clips but also a chain of devices page for processing signals. Double-clicking a tracks title bar brings up the Device View, which shows the tracks device chain. Lives built-in audio effects page , MIDI effects page and instruments page are available from the browser and can be added to tracks by dragging them from there into the Device View, or into a Session or Arrangement track.
You can also use plug-in devices page in Live. Consider an audio clip playing in an audio track. The audio signal from the clip reaches the leftmost device in the chain.
This device processes changes the signal and feeds the result into the next device, and so on. The number of devices per track is theoretically unlimited. In practice, the computers processor speed imposes a limit on the number of devices you can use at the same time, a topic that deserves separate discussion page Note that the signal connections between audio devices are always stereo, but the softwares inputs and outputs can be configured to be mono in the Audio Preferences.
When the signal has passed through the device chain, it ends up in Lives mixer page As the Session and Arrangement share the same set of tracks, they also share the mixer. The mixer can be shown in both views for convenience. To optimize the screen layout, the individual mixer sections can be shown or hidden using the View menus entries. The mixer has controls for volume, pan position and sends, which adjust the contribution each track makes to the input of any return tracks.
Return tracks only host effects, and not clips. Via their sends, all tracks can feed a part of their signal into a return track and share its effects. The mixer also includes a crossfader page , which can create smooth transitions between clips playing on different tracks. Lives crossfader works like a typical DJ mixer crossfader, except that it allows crossfading not only two but any number of tracks including the returns.
Lives Crossfader. Devices that receive and deliver audio signals are called audio effects. Audio effects are the only type of device that fit in an audio track or a return track. Consider a MIDI track playing a clip. The MIDI signal from the clip is fed into the tracks device chain.
There, it is first processed by any number of MIDI effects. One example is the Scale effect, which maps the incoming notes onto a user-defined musical scale. The last MIDI effect in the chain is followed by an instrument. Following the instrument, there can be any number of audio effects as in an audio track. If a MIDI track has no instrument and no audio effects , then the tracks output is a plain MIDI signal, which has to be sent somewhere else to be converted into audio.
In this case, the tracks mix and Send controls disappear from the mixer. Every Live device can store and retrieve particular sets of parameter values as presets page As presets are stored independently from Live Sets, new presets become part of your user library that any project can draw from. Lives Instrument, Drum and Effect Racks page allow saving combinations of devices and their settings as a single preset. This feature allows for the creation of powerful multi-device creations and effectively adds all the capabilities of Lives MIDI and audio effects to the built-in instruments.
Where do these signals go? Its routing options page enable valuable creative and technical methods such as resampling, submixing, layering of synths, complex effects setups and more.
Signals from the tracks can be sent to the outside world via the computers audio and MIDI interfaces, to other programs that are connected to Live via ReWire page or to other tracks or devices within Live. Tracks can also be combined into a Group Track page which serves as a submixer for the selected tracks.
Likewise, a track can be set up to receive an input signal to be played through the tracks devices. Again, tracks can receive their input from the outside, from a ReWire program or from another track or device in Live. The Monitor controls regulate the conditions under which the input signal is heard through the track.
It is also possible to route signals to external hardware devices from within a tracks device chain, by using the External Audio Effect page and External Instrument page devices. Note: these devices are not available in the Lite or Intro Editions. Recording is enabled on a track by pressing its Arm button.
With multiple tracks selected, pressing any of their Arm buttons will arm all of them. If the Exclusive Arm option is enabled in the Record Preferences, inserting an instrument into a new or empty MIDI track will automatically arm the track. When the Control Bars Arrangement Record button is on, every armed track records its input signal into the Arrangement. Every take yields a new clip per track.
It is also possible to record into Session View slots on the fly page This technique is very useful for the jamming musician, as Session recording does not require stopping the music.
Clicking the Session Record button records a new clip in the selected Session scene in all armed tracks. Clicking the Session Record button again defines the end of the recording and launches the new clips. As these actions are subject to real-time launch quantization, the resulting clips can be automatically cut to the beat. The Control Bars Quantization Chooser. Session recording in conjunction with overdubbing and Record Quantization is the method of choice for creating drum patterns, which are built up by successively adding notes to the pattern while it plays in a loop.
The movement of a control across the Arrangement timeline or Session clip is called automation page ; a control whose value changes over time is automated.
Automation is represented by breakpoint envelopes, which can be drawn, edited and recorded in real-time. The Automated Pan Control and its Envelope.
Practically all mixer and effect controls in Live can be automated, even the song tempo. Recording automation is straightforward: all changes of a control that occur while the Control Bars Automation Arm and Arrangement Record buttons are on become automation in the Arrangement View.
Automation is recorded to Session View clips if controls are adjusted while recording with the Automation Arm button enabled. Changing an automated controls value while not recording is similar to launching a Session clip while the Arrangement is playing: It deactivates the controls automation in favor of the new control setting.
The control will stop tracking its automation and rest with the new value until the Re-Enable Automation button is pressed or a Session clip that contains automation is launched. Clip envelopes page are used to automate or modulate device and mixer controls.
Audio clips have, in addition, clip envelopes to influence the clips pitch, volume and more; these can be used to change the melody and rhythm of recorded audio. Clip envelopes can be unlinked from the clip to give them independent loop settings, so that larger movements like fade-outs or smaller gestures like an arpeggio can be superimposed onto the clips material.
In this mode, you can click on any mixer or effect control, and then assign it to a controller simply by sending the desired MIDI message for example, by turning a knob on your MIDI control box. Session clips can be mapped to a MIDI key or even a keyboard range for chromatic playing. Session clips, switches, buttons and radio buttons can be mapped to computer keyboard keys as well.
Live offers, in addition to this general purpose mapping technique, dedicated support for Ableton Push page , the Akai APC series page , and Novation Launchpad page , which allows for mouse-free operation of the program. An audio clip can, however, lose the reference to its corresponding sample if it is moved or deleted from disk.
The links between samples and their clips can be preserved with a special command, Collect and Save page 82 , which makes a copy of each sample and stores it in a project folder along with the Live Set. A separate Save button in the Clip View saves a set of default clip settings page along with the sample, so that each time the sample is dragged into the program, it will automatically appear with these settings. This is especially useful if you have made warp settings for a clip and want to use it in multiple Live Sets.
Exporting audio from Live can be done from both the Session and Arrangement Views. Exporting and saving material for later use in Live can be done very conveniently with the Live Clip format page Session View clips can be dragged back out of a Live Set to the browser, and thereby exported to the disk as Live Clips.
Live Clips are a very powerful way of storing ideas, as they save not only the clips Clip View settings, but also the corresponding tracks instruments and effects chain. Live Clips in the browser can be previewed and added to any open Live Set just like sample files. In the Live Set, they restore the original clips creative options. Using Live Clips, you can build your own personalized library of: MIDI sequences with matching instruments and effects, e.
Managing Files and Sets Various types of files are used in making music with Live, from those containing MIDI page 69 and audio page 61 , to more program-specific files such as Live Clips page 69 and Live Sets page This chapter will explain everything you need to know about working with each of these file types in Live.
However, we should first take a look at Lives browser, through which most files arrive in the program. Lives browser is the place where you interact with your library of musical assets: the core library of sounds that are installed with the program, any additional sounds youve installed via Ableton Packs, presets and samples youve saved, your Ableton and third-party devices, and any folder on your hard drive that contains samples, tracks, etc.
The Browser. The browser display is divided into left and right sections, called the sidebar and the content pane respectively. To resize the sections, drag the divider line horizontally. Working in the browser involves choosing one of the labels from the Categories or Places sections in the sidebar, and then selecting from the items that appear in the content pane.
The Categories labels show all items of a given type, regardless of where they are in your library. Use this section to explore and discover all of the instruments and sounds you have installed.
The Categories section is organized as follows: Sounds all of your Instrument Racks page and instrument presets, organized by the type of sound they make rather than by their devices. All over the globe, a growing group of trainers and institutions are offering approved Ableton teaching at all skill levels, both for individuals and groups.
Training in Helsinki: 1 trainers and institutions offer certified training in Helsinki. Not based in Helsinki? Find training near you. For beginners and seasoned users alike, Ableton User Groups are open to any Live user who wants to share their knowledge and learn from others in person. Practice your finger drumming skills with Melodics, a standalone app that offers a great way to learn and refine your playing. Its free to download and comes with 20 lessons to get you started.
Ableton Reference Manual Version 9 | PDF.Ableton live 9 suite manual pdf free
Copyright Ableton AG. All rights reserved. Made in Germany. This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license.
The content of this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Ableton. Every effort has been made to ensure that the information in this manual is accurate. Kive assumes no responsibility maanual liability for any errors or inaccuracies that tree appear in this book.
Except as permitted by such license, no part of this publication may be reproduced, edited, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of Ableton. Finder is a trademark of Apple Inc. Windows is a ableton live 9 suite manual pdf free trademark of Microsoft Corporation in the United States and other countries. Intel is a registered trademark of Intel Corporation or its subsidiaries in the Нажмите чтобы узнать больше States and other countries.
All other product and company names are trademarks or registered sute of their respective holders. Time Commands 6. Mixing Live is the result of musicians wanting a better way to create, produce and perform music using a computer. A great deal of effort has been put into making Live easy and fun to use, yet at the same time capable of helping you create music with unlimited depth and sophistication.
This effort continues even as you read these lines Please check on our website now1, or choose the Check ableton live 9 suite manual pdf free Updates ftee from the Help menu. We hope you enjoy using Live and that it enhances your creative process. Your Ableton Team.
Live can now be viewed on two monitors at the same time. Automation can now be recorded, drawn, and edited in Session View clips page Automation envelopes appear in a clips Device and Control Choosers, alongside modulation envelopes.
Automation in Session clips becomes timeline automation when recording from the Session to the Arrangement, and vice versa when bringing Arrangement clips back to the Session. Envelope breakpoints are now created by single-clicking on the envelope. When hovering over the envelope, a pseudo-breakpoint appears to show where the breakpoint will be placed after clicking. Hovering near the envelope or holding the [Shift] modifier while clicking on an envelope segment a portion of the envelope between breakpoints now selects the entire segment.
Clip Envelopes in Linked mode will now respond to changes in the clips Warp Markers page It is now possible to create convex and concave curves in all breakpoint envelopes in both the Arrangement timeline and in clips. A new set of transform tools page allows for fast manipulation of a MIDI clips contents.
Transpose, reverse, invert, or apply legato in a single click. MIDI notes can now be moved and resized freely without a modifier, even while off the grid is active. It is also possible to adjust note lengths while in Draw Mode page Holding [B] while editing with the mouse toggles Draw Mode temporarily.
The currently selected tracks, devices, notes or clips can be activated or deactivated with the [0] key. If the loop brace ableton live 9 suite manual pdf free selected, pressing [Enter] will switch the selection to the time within the loop brace. Lives new browser page 53 features a two-pane view that shows all of Lives devices and Packs clearly separated. A search field in the browser filters results as you type. Wbleton can navigate between ableton live 9 suite manual pdf free search field and the filtered entries using your computer keyboards arrow keys.
The browsers Preview Tab now ableton live 9 suite manual pdf free Lives instrument presets, by playing a short example sound when presets are selected. Three new commands page allow you to extract the musical information from audio clips and place frse into MIDI clips on new 99 Convert Harmony to Ссылка extracts the notes from polyphonic audio and is designed for reimagining samples or loops.
The new MIDI track will contain a Drum Rack with the kick, snare, and hihat notes from the ableton live 9 suite manual pdf free audio playing the appropriate instruments. The Consolidate Time to New Scene command consolidates the material within the selected time range in the Arrangement View to one new clip per track. The new clips are placed into a new Session View scene below the previously selected scene.
Tuner page analyzes and displays the incoming monophonic pitch as well as its distance from the nearest semitone. EQ Eight page now has improved filters, a detachable display that shows the frequency spectrum of the output signal and allows multiple filter dots to be adjusted simultaneously, optional Adaptive Q and Audition modes, and a number of other improvements.
Compressor page now has an Auto Release mode, which automatically adjusts the release time based on the incoming audio. The Ratio can be set belowfor upward expansion. The shape of the envelope follower can be switched between linear and logarithmic.
Finally, a /15006.txt display shows input and output levels, making it easier to adjust ableton live 9 suite manual pdf free. Lives Gate effect page now responds more accurately. There is also a new Return control also known as hysteresis to help reduce chatter when the level changes quickly near the threshold, as manusl as a sidechain EQ. The Multiband Dynamics device page now has a sidechain circuit, allowing it to be triggered based on the level of another signal.
Детальнее на этой странице, an improved export dialog groups related controls together, making it easier to see and adjust your export settings. Live comes with a set of interactive lessons to take you step by step through the key features of the program. The lessons are organized in a table of contents, which can be opened directly in the program via suitw Help menu.
We highly recommend following the lessons. Many users have told us that the lessons helped them become familiar with the program very quickly.
We also recommend that you read the Live Concepts chapter page 35which encapsulates everything that Live is and can do, and приведу ссылку therefore a worthwhile read for both beginners and suiye users.
The remaining ableton live 9 suite manual pdf free of this manual serve as in-depth reference for the material frfe in Live Concepts. Lives Info View tells you the name and function of whatever you place the mouse over. For certain items, you abletonn create your own text and it will appear in this window. If you require more information on a specific user abletoh element or topic, please consult this reference manual.
The index, found at the end of the manual, contains the names of all user interface elements and will lead you to the relevant section. Lives Preferences window is where you can find various settings that determine how Ableton live 9 suite manual pdf free looks, behaves and interfaces llive the outside world.
This window is accessed from the Preferences command, which in Windows is available in the Options menu and in OS X is available in the Live menu. The Audio Preferences are used to set up Lives audio connections with the outside world via an audio interface. To access the lesson, use the Help View command from the Help menu. Controlling parts of the interface remotely. Syncing the program with an external sequencer or drum machine, either as a master or a slave. Note: Sync is not available in Live Lite.
The Library Preferences allow you to specify a default location for various types of installed files, suitee Packs and your User Library, as well as whether or not samples and other files are self-contained when saving Sets page Most of your work in Ableton live 9 suite manual pdf free happens in the main Live screen. This screen consists of a number of views, and each view manages a specific aspect of your Live Set, which is the type of document.
If you have multiple monitors or even one very large monitoryou can open a second window to display all of Lives views at the same time. Each one of the selector buttons at the screen borders calls up a specific view; clicking this one, for instance, opens and closes Lives browser:. The Browser Selector.
On Windows and versions of OS X prior to When using OS X version You can turn Full Screen Mode on by clicking the arrows in the abletpn right corner. You can turn Full Screen Mode off by clicking the arrows on the right side of the menu bar.
If Lives browser is open, you can adjust the main windows horizontal split by dragging. Authorizing Live Live is protected against illegal use by a copy protection scheme. This scheme has been designed to meet the highest security standards while avoiding hassles for our customers. If you find this procedure to be an inconvenience, please understand that the copy protection secures your investment: It allows Ableton to provide you with support and to continue developing Live.
Please be aware that the standard Live license grants you the right to use Live on only one computer at a time. You can, however, authorize Live читать далее than once under the legal and technical conditions described later page The first time you run Live, you will be prompted to complete the authorization process. The software will walk you through the steps.
If the computer that you wish to authorize is connected to the internet, you can authorize immediately by pressing the key microsoft free 32 free 2013 bit with office button in the dialog box. If you do not have an internet connection, press the No internet on this computer button and follow the instructions.
If you do not yet own Live or its add-on products, you can still try them out, but saving and exporting will be disabled. If trying Live or another product raises your interest in purchasing it, please visit the Ableton webshop2. This site contains information about Abletons distributor and dealer network. It also offers ableton live 9 suite manual pdf free the opportunity to buy Ableton products online. If you change your computer components for some reason, Live may indeed ask you to authorize the software another time.
Live does not need to be reauthorized when computer peripherals are replaced audio or MIDI hardware, printers, modems. But you may ableton live 9 suite manual pdf free to authorize again if the motherboard, processor or network card is replaced.
On some computers, reformatting a hard drive will require a new authorization.